Over the past several years, a number of Levantine archaeologists working on the Iron Age (ca. 1200 - 586 BCE) have begun to employ high precision radiocarbon dating to solve a wide range of chronological, historical and social issues. The incorporation of high precision radiocarbon dating methods and statistical modelling into the archaeological 'tool box' of the 'Biblical archaeologist' is revolutionizing the field. In fact, Biblical archaeology is leading the field of world archaeology in how archaeologists must deal with history, historical texts, and material culture. A great deal of debate has been generated by this new research direction in southern Levantine (Israel, Jordan, Palestinian territories, southern Lebanon & Syria, the Sinai) archaeology.

Over the past several years, a number of Levantine archaeologists working on the Iron Age (ca. 1200 - 586 BCE) have begun to employ high precision radiocarbon dating to solve a wide range of chronological, historical and social issues. The incorporation of high precision radiocarbon dating methods and statistical modelling into the archaeological 'tool box' of the 'Biblical archaeologist' is revolutionizing the field. In fact, Biblical archaeology is leading the field of world archaeology in how archaeologists must deal with history, historical texts, and material culture. A great deal of debate has been generated by this new research direction in southern Levantine (Israel, Jordan, Palestinian territories, southern Lebanon & Syria, the Sinai) archaeology. This book takes the pulse of how archaeology, science-based research methods and the Bible interface at the beginning of the 21st century and brings together a leading team of archaeologists, Egyptologists, Biblical scholars, radiocarbon dating specialists and other researchers who have embraced radiocarbon dating as a significant tool to test hypotheses concerning the historicity of aspects of the Old Testament or Hebrew Bible. As this book "raises the bar" in how archaeologists tackle historical issues as manifest in the interplay between the archaeological record and text, its interest will go well beyond the 'Holy Land.'

This volume asks how the current Information Technology Revolution influences archaeological interpretations of techno-social change. Does cyber-archaeology provide a way to breathe new life into grand narratives of technological revolution and culture change, or does it further challenge these high-level theoretical explanations? Do digital recording methods have the potential to create large, regional-scale databases to ease investigation of high-level theoretical issues, or have they simply exposed deeper issues of archaeological practice that prevent this? In short, this volume cuts beyond platitudes about the revolutionary potential of the Information Technology Revolution and instead critically engages both its possibilities and limitations. The contributions to this volume are drawn from long-term regional studies employing a cyber-archaeology framework, primarily in the southern Levant, a region with rich archaeological data sets spanning the Paleolithic to the present day. As such, contributors are uniquely placed to comment on the interface between digital methods and grand narratives of long-term techno-social change. Cyber-Archaeology and Grand Narratives provides a much-needed challenge to current approaches, and a first step toward integrating innovative digital methods with archaeological theory.

"Strategies Against Architectures" collects recent works by German painter Sven Druhl (born 1968). There is more to his meticulous and reductive landscapes and architectural scenes than initially meets the eye; they are drawn not from life but are interpretations of works by artists from Caspar David Friedrich to Ed Ruscha.

This volume presents a series of studies by scholars working in Middle Eastern archaeology who actively apply social theory to interpret their fieldwork. It aims to highlight the value of using social theory in the interpretation of field work in a region where, traditionally, such approaches have not played a major role.There are a number of factors that account for why social theory is often under-exploited by archaeologists in this part of the world. In many countries, where large numbers of the foreign archaeologists are involved, a division between those doing fieldwork and those undertaking archaeological interpretation can easily arise. Or, the lack of interest in social theory may stem from a legacy of positivism that overrides other approaches. There is also the fact that archaeology and anthropology often belong to separate academic departments and are considered two separate disciplines disconnected from each other. In some cases the centrality of historical paradigms has precluded the use of social theory.There are also divisions between universities and other research institutions, such as departments of antiquities, which is not conductive to interdisciplinary cooperation. This factor is especially debilitating in contexts of rapid destruction of sites and the exponential growth of salvage excavations and emergency surveys.The papers integrate a wide range of perspectives including 'New' or 'Processual' archaeology, Marxist, 'Post-Processual', evolutionist, cognitive, symbolic, and Cyber- archaeologies and touch on many topics including 3D representation, GIS, mapping and social theory, semiotics and linguistics, gender and bioarchaeology, social and technical identities, and modern historical modellingy and social practices in Middle Eastern archaeology.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Cofiant A Phregethau Y Parch. Evan Harries Thomas Levi, Evan Harries

Debunks popular health myths with solid, practical nutrition facts

This authoritative, thorough, and scientifically sound guide to nutrition and wellness provides information on weight loss, detoxification, low cholesterol, better digestion, mercury poisoning, cholesterol--and more! Optimal Nutrition for Optimal Health covers the same topics as current bestsellers such as Prescription for Nutritional Healing and The Nutrition Bible in as great a depth--but in a smaller, handier trim size and at a much more affordable price.

From 1963 onwards, Mel Ramos (1935-2018), one of the first Pop Art artists, developed his focus on provocative and seductive imagery. Echoing the aesthetic of magazines and advertisements, he positioned female bodies atop consumer goods in various erotic - at times almost vulgar - poses. By referencing and showcasing them in this way, Ramos exposed the marketing strategies employed in the advertising industry. This new catalogue presents around 70 works on paper dating from every phase and series of his oeuvre and conveys the artist’s graphic conquest of the picture surface, as well as his meticulous composition. The preliminary sketches are shown alongside the final large-scale oil paintings with their typical Pop Art colour palette. Text in English and German. 

This book is a facsimile reprint and may contain imperfections such as marks, notations, marginalia and flawed pages.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages.

Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

"Beauty and the Beast" offers a provocative juxtaposition of California-based Pop artist Mel Ramos (born 1935) and German graphic artist Richard Muller (1874-1954). Ramos famously juxtaposes immaculate, self-assured women with consumer goods, while Muller portrays unreserved, naturalistic nudes.

Hamburg painter Rolf Rose is known for his deeply spatial, plastic, monochromatic canvases. This volume collects the series "The Seven Pillars of Wisdom" (2002) for the first time, as well as works from 1987 to 2008. It is the most comprehensive monograph available on the artist.

From the time Meret Oppenheim died in 1985 until 1996, the Swiss-born, German artist Jurgen Brodwolf worked on "The Memorial Cycle for M.O.," a complete sequence of evocative and challenging drawings and book objects that are collected here.